Damien Hirst: To be or not to be an artist
Art Market | Damien Hirst’s current strategy contrasts with the one that earned him a reputation for being the “terrible child” of British art when he started out. From being over exposed in the media during the 2000s through a series of memorable appearances, his public speaking has since seemed rarer. This change in communication extends to his artistic practice and his relationship to the market. To be or not to be an artist.
In 2017, the Pinault Collection gave Damien Hirst free rein to expose in the Palazzo Grassi and the Punta della Cana. Titled […]
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