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Martial Raysse: manifest at the Venice Biennale

Art Market | The number one market place position of Martial Raysse, considered the most expensive living French artist for his first period (60-68), is the object of a strategic repositioning with two upcoming retrospectives, at the Centre Pompidou in 2014 and, in may 2015, at the Palazzo Grassi during the crucial Venice Biennale period.

Martial Raysse, Ici Plage, comme ici-bas, 2012. Pinault Collection © Fulvio Orsenigo / © Martial Raysse by SIAE 2015 (detail)
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Martial Raysse, Ici Plage, comme ici-bas, 2012. Pinault Collection
© Fulvio Orsenigo / © Martial Raysse by SIAE 2015 (detail)

With dealer Kammel Menour in the wings, the two exhibitions highlight his 2nd period, dealing with history painting and breaking with New Realism. A major difference : the Centre Pompidou exhibition, conceived by Catherine Grenier, adapts a streamlined and chronological approach to the entirety of artist’s work. However, the exhibition designed by the artist and organized by Caroline Bourgeois at the Fondation Pinault in Venice, affirmatively entitled […]

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Version française

Martial Raysse, Ici Plage, comme ici-bas, 2012. Pinault Collection © Fulvio Orsenigo / © Martial Raysse by SIAE 2015 (detail) Installation view, Martial Raysse, Pinault Collection, Palazzo Grassi 2015 © Fulvio Orsenigo. © Martial Raysse by SIAE 2015 Installation view, Martial Raysse, Pinault Collection, Palazzo Grassi 2015 © Fulvio Orsenigo. © Martial Raysse by SIAE 2015 Installation view, Palazzo Grassi 2015. ph: © Fulvio Orsenigo. © Martial Raysse by SIAE 2015 Installation view, Palazzo Grassi 2015. ph: © Fulvio Orsenigo. © Martial Raysse by SIAE 2015 Installation view, Palazzo Grassi 2015. ph: © Fulvio Orsenigo. © Martial Raysse by SIAE 2015

Martial Raysse, Ici Plage, comme ici-bas, 2012. Pinault Collection
© Fulvio Orsenigo / © Martial Raysse by SIAE 2015 (detail)

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